literally "stripping" previous work of its original
context. The sliced stripes being arranged and
woven together.
The frames of reference have become fragmented but remain related. They refer to and document
a transition process.
These alterations attempt to mirror larger process-
es found in nature, especially those processes
inherent in the formation of forests and bog-land.
Objecta Arboria VI...I...2007...I...Turf & Acrylic on Canvas...I...20 x 30 cm
Objecta Arboria VIII..I...2007...I...Turf & Acrylic on Canvas...I...20 x 30 cm
Objecta Arboria XIV..I...2008...I...Turf, Acrylic & Canvas on Wood..I...20 x 30 cm
Objecta Arboria XV..I...2008...I...Turf, Acrylic & Canvas on Wood..I...20 x 30 cm
Objecta Arboria XVI..I...2008...I...Turf, Acrylic & Canvas on Wood..I...20 x 30 cm
Objecta Arboria I..I...2007...I...Turf & Acrylic on Canvas...I...23 x 30 cm
Objecta Arboria II..I...2007...I...Turf & Acrylic on Canvas...I...23 x 30 cm
Objecta Arboria III...I...2007...I...Turf & Acrylic on Canvas...I...30 x 37 cm
Objecta Arboria IV...I...2007...I...Turf & Acrylic on Canvas...I...20 x 30 cm
Objecta Arboria V...I...2007...I...Turf & Acrylic on Canvas...I...20 x 30 cm
Objecta Arboria VII...I...2007...I...Turf & Acrylic on Canvas...I...23 x 30 cm
Objecta Arboria IX..I...2007...I...Turf & Acrylic on Canvas...I...20 x 30 cm
Objecta Arboria X..I...2007...I...Turf & Acrylic on Canvas...I...30 x 37 cm
